“Scroll down to the end of the article to listen to music.”
Introduction
I first heard “L.A. Woman” during a road trip along the California coast. The song’s driving rhythm and evocative lyrics seemed to mirror the winding roads and stunning ocean views, creating an unforgettable soundtrack for that journey.
About The Composition
- Title: L.A. Woman
- Composer: The Doors (Jim Morrison, Robby Krieger, Ray Manzarek, John Densmore)
- Premiere Date: April 19, 1971
- Album/Opus/Collection: L.A. Woman
- Genre: Rock
Background
“L.A. Woman” is a classic rock song by The Doors, the title track of their sixth and final studio album with lead singer Jim Morrison. The song was recorded amidst personal and professional turmoil, with Morrison facing legal issues and the band members dealing with internal conflicts. Despite these challenges, “L.A. Woman” emerged as one of the band’s defining works. The song captures the essence of Los Angeles, blending rock, blues, and psychedelic elements to create a powerful and enduring anthem.
Musical Style
“L.A. Woman” features a distinctive blend of rock and blues. The song’s structure is characterized by its driving beat, provided by drummer John Densmore, and the iconic bass line played by guitarist Robby Krieger. Ray Manzarek’s electric piano and Morrison’s gritty, soulful vocals add depth and texture to the composition. The instrumental break, often referred to as the “Mr. Mojo Risin'” section, showcases the band’s improvisational skills and adds a dynamic shift to the song.
Lyrics/Libretto
The lyrics of “L.A. Woman” paint a vivid picture of Los Angeles, capturing both its allure and its darker, more chaotic side. Themes of freedom, exploration, and existential reflection are woven throughout the song. The “Mr. Mojo Risin'” chant is an anagram of Jim Morrison’s name, adding a personal touch and a sense of mystery to the track.
Performance History
“L.A. Woman” has been performed by various artists over the years, each bringing their unique interpretation to the song. Notable performances include those by surviving members of The Doors, as well as covers by artists like Billy Idol and Grace Slick. The song has consistently been celebrated for its raw energy and powerful imagery, solidifying its place in rock history.
Cultural Impact
“L.A. Woman” has had a lasting impact on both music and popular culture. It has been featured in numerous films, television shows, and commercials, often used to evoke a sense of rebellion and adventure. The song’s influence extends beyond rock, inspiring artists across genres and generations.
Legacy
“L.A. Woman” remains a cornerstone of The Doors’ legacy and a testament to the band’s innovative spirit. Its relevance endures, continuing to captivate new audiences and inspire musicians. The song’s exploration of the complexities of urban life and the human condition resonates as strongly today as it did over fifty years ago.
Conclusion
“L.A. Woman” is more than just a rock song; it’s a journey through the heart of Los Angeles, guided by The Doors’ unparalleled artistry. I encourage you to listen to the original recording and explore the many covers and live performances that have kept this classic alive. Each rendition offers a new perspective on this timeless piece of music history.
Video
Lyrics
Well, I just got into town about an hour ago
Took a look around, see which way the wind blow
Where the little girls in their Hollywood bungalows
Are you a lucky little lady in the city of light
Or just another lost angel, city of night
City of night, city of night, city of night, woo, come on
L.A. woman, L.A. woman
L.A. woman Sunday afternoon
L.A. woman Sunday afternoon
L.A. woman Sunday afternoon
Drive through your suburbs
Into your blues, into your blues, yeah
Into your blue-blue blues
Into your blues, oh, yeah
I see your hair is burnin’
Hills are filled with fire
If they say I never loved you
You know they are a liar
Drivin’ down your freeways
Midnight alleys roam
Cops in cars, the topless bars
Never saw a woman
So alone, so alone
So alone, so alone
Motel money murder madness
Let’s change the mood from glad to sadness
Mister mojo risin’, mister mojo risin’
Mister mojo risin’, mister mojo risin’
Got to keep on risin’
Mister mojo risin’, mister mojo risin’
Mojo risin’, gotta mojo risin’
Mister mojo risin’, gotta keep on risin’
Risin’, risin’
Gone risin’, risin’
I’m gone risin’, risin’
I gotta risin’, risin’
Well, risin’, risin’
I gotta, wooo, yeah, risin’
Woah, ohh yeah
Well, I just got into town about an hour ago
Took a look around, see which way the wind blow
Where the little girls in their Hollywood bungalows
Are you a lucky little lady in the city of light
Or just another lost angel, city of night
City of night, city of night, city of night, whoa, come on
L.A. woman, L.A. woman
L.A. woman, you’re my woman
Little L.A. woman, little L.A. woman
L.A. L.A. woman woman
L.A. woman, come on