“Scroll down to the end of the article to listen to music.”
Introduction
“Edge of Seventeen” is a song by American singer and songwriter Stevie Nicks. Released as part of her debut solo album “Bella Donna” in 1981, the track has become one of Nicks’ signature songs, known for its distinct riff and powerful vocal performance. The song resonates with themes of grief and resilience, inspired by personal experiences that Nicks translated into a rock anthem. Over the years, “Edge of Seventeen” has maintained its popularity, frequently played on classic rock stations and covered by various artists.
About The Composition
- Title: Edge of Seventeen
- Composer: Stevie Nicks
- Premiere Date: 1981
- Album/Opus/Collection: Bella Donna
- Genre: Rock
Background
“Edge of Seventeen” was inspired by several events in Stevie Nicks’ life, including the death of her uncle Jonathan and the assassination of John Lennon. The title came from a conversation with Tom Petty’s first wife, who mentioned the phrase “the age of seventeen,” which Nicks misheard as “edge of seventeen.” The song’s narrative dives deep into the emotions surrounding loss and the passage of time, capturing a poignant yet universal sentiment.
Musical Style
The musical elements of “Edge of Seventeen” are characterized by its driving guitar riff, performed by Waddy Wachtel, which has become iconic in rock music. The song features a steady 4/4 beat with a strong emphasis on rhythm, creating a compelling backdrop for Nicks’ raw and expressive vocals. The production combines rock elements with a slight hint of folk, creating a sound that is both powerful and haunting.
Lyrics/Libretto
The lyrics of “Edge of Seventeen” explore themes of loss, grief, and the enduring spirit of those who have passed. Nicks uses vivid imagery and metaphor to convey her emotions, creating a narrative that is both personal and universally relatable. The repetition of certain phrases and the evocative storytelling highlight Nicks’ lyrical prowess.
Performance History
Over the years, “Edge of Seventeen” has been performed at numerous Stevie Nicks concerts, often as a highlight of her setlist. The song’s live renditions are celebrated for Nicks’ electrifying stage presence and the audience’s enthusiastic participation. Notable performances include her 1981 solo tour and subsequent tours, where it remains a fan favorite.
Cultural Impact
“Edge of Seventeen” has left a significant mark on popular culture, with its riff being sampled in Destiny’s Child’s hit “Bootylicious.” The song has featured in various films and television shows, underscoring its lasting appeal and recognition. Its influence extends beyond music, with references in literature and art, solidifying its status as a classic.
Legacy
Today, “Edge of Seventeen” continues to be celebrated as one of Stevie Nicks’ most iconic works. Its enduring popularity is a testament to its emotional depth and musical brilliance. The song has inspired a new generation of musicians and fans, maintaining its relevance and impact in the music world.
Conclusion
“Edge of Seventeen” remains a powerful piece in Stevie Nicks’ repertoire, showcasing her talent as a songwriter and performer. Its blend of personal storytelling and musical innovation invites listeners to explore the depth of Nicks’ artistry. For those intrigued by its legacy, delving into Nicks’ discography promises a rewarding musical journey.
Video
Lyrics
Just like the white winged dove
Sings a song, sounds like she’s singin’
“Ooh, ooh, ooh”
Just like the white winged dove
Sings a song, sounds like she’s singin’
“Ooh, baby, ooh, said, ooh”
And the days go by like a strand in the wind
In the web that is my own, I begin again
Said to my friend (everything’s not)
“Baby, nothin’ else mattered”
He was no more (he was no more)
Than a baby then
Well, he seemed broken-hearted
Something within him
But the moment that I first laid
Eyes on him
All alone, on the edge of 17
Just like the white winged dove (just like the white winged dove)
Sings a song, sounds like she’s singing
“Ooh, baby, ooh, said, ooh”
Just like the white winged dove
Sings a song, sounds like she’s singin’, said
“Ooh, baby, ooh, said ooh”
Well, I went today
Maybe I will go again tomorrow
Yeah, yeah
Well, the music there, well, it was hauntingly familiar
When I see you doin’ what I try to do for me
With the words of a poet and a voice from a choir
And a melody
And nothin’ else mattered
Just like the white-winged dove (just like the white-winged dove)
Sings a song, sounds like she’s singin’
“Ooh, baby, ooh, said, ooh”
Just like the white-winged dove
Sings a song, sounds like she’s singin’, said
“Ooh, baby, ooh, said, ooh”
The clouds never expect it when it rains
But the sea changes color
But the sea does not change
So with the slow graceful flow of age
I went forth with an age-old
Desire to please
On the edge of 17
Ooh, ah
Just like the white-winged dove
Sings a song, sounds like she’s singin’
“Ooh, baby, ooh, said, ooh”
Just like the white-winged dove
Sings a song, sounds like she’s singin’
“Ooh, baby, ooh, said, ooh”
Well, then suddenly
There was no one left standin’ in the hall
Yeah-yeah, in a flood of tears
That no one really ever heard fall at all
When I went searchin’ for an answer
Up the stairs and down the hall
And not to find an answer, just to hear the call
Of a night bird
Singin’, “Come away” (come away, come away)
Just like the white-winged dove (just like the white-winged dove)
Sings a song, sounds like she’s singin’
“Ooh, baby, ooh, said, ooh”
Just like the white-winged dove
Sings a song, it sounds like she’s singin’
“Ooh, baby, ooh, said, ooh”
Well, I hear you (well, I hear you) in the morning (in the morning)
And I hear you (and I hear you) at nightfall (at nightfall)
Sometimes to be near you
Is to be unable to feel you
My love
I’m a few years older than you
(I’m a few years older than you) my love
Just like the white-winged dove (just like the white-winged dove)
Sings a song, sounds like she’s singin’
“Ooh, baby, ooh, said, ooh”
Just like the white-winged dove
Sings a song, sounds like she’s singin’
“Ooh, baby, ooh, said, ooh”