Country Music

Classic Country Music Hits

Rock Music

Stop scrolling – imagine a teenage wunderkind whose early hours in the studio led him to co-write timeless soul anthems and decades later stand before the Grammy stage, clutching an award that proves every chord he struck mattered. Steve Winwood first captured our hearts with the raw energy of “Gimme Some Lovin’” alongside the Spencer Davis Group, then went on to expand his musical palette with Traffic’s jazz-infused folk-rock explorations and a historic supergroup moment in Blind Faith with Eric Clapton. As a solo artist, he distilled that lifetime of sonic adventure into the shimmering melodies of Arc of a Diver and ultimately poured all his soulful precision into his 1986 hit “Higher Love” by Steve Winwood, a song that still lifts your spirit whenever you press play. His collaborations and tours with legends like Tom Petty and Clapton have only underscored a career defined by versatility and passion—but it’s that uplifting chorus of “Higher Love” that truly reminds us why Steve’s voice feels like a warm embrace on its highest peak. Full story below the post.

Spread the love

“Scroll down to the end of the article to listen to music.”

Introduction

“Higher Love” is a song by English musician Steve Winwood, released in 1986 as the lead single from his fourth solo studio album, “Back in the High Life.” The song marked a significant point in Winwood’s career, showcasing his ability to blend soulful rock with pop elements, which contributed to its commercial success. “Higher Love” was a massive hit, reaching number one on the Billboard Hot 100 chart, and earning Winwood two Grammy Awards for Record of the Year and Best Male Pop Vocal Performance.

The song’s success was bolstered by its catchy melody, intricate production, and the powerful backing vocals of Chaka Khan, which added a distinct flavor to the track. “Higher Love” remains one of Winwood’s most enduring hits, celebrated for its uplifting message and memorable hooks.

About The Composition

  • Title: Higher Love
  • Composer: Steve Winwood, Will Jennings
  • Premiere Date: June 20, 1986
  • Album/Opus/Collection: Back in the High Life
  • Genre: Pop, Rock, Blue-eyed Soul

Background

“Higher Love” was conceived during a period when Steve Winwood was reinventing himself as a solo artist after leaving the band Traffic. The song was co-written with Will Jennings, a frequent collaborator who helped craft its positive and introspective lyrics. The production of the song was handled by Russ Titelman, who played a crucial role in its polished and dynamic sound. The song’s release aligned with the burgeoning popularity of MTV, and its music video, featuring vibrant visuals and energetic performances, helped propel the song to a wider audience.

Musical Style

“Higher Love” features a blend of pop, rock, and blue-eyed soul, characterized by its upbeat tempo, synthesized rhythms, and rich vocal harmonies. The track is distinguished by its use of layered percussion, lush keyboard arrangements, and the distinctive guitar work that adds to its vibrant and energetic feel. The integration of Chaka Khan’s backing vocals enhances the soulful quality of the song, contributing to its overall appeal.

Lyrics/Libretto

The lyrics of “Higher Love” explore themes of longing and spiritual fulfillment, urging listeners to seek deeper connections and a sense of purpose beyond the mundane aspects of life. The song’s refrain emphasizes the need for a “higher love” to bring hope and meaning, resonating with audiences through its uplifting and introspective message.

Performance History

“Higher Love” has been performed by Steve Winwood in numerous live settings, often serving as a highlight of his concerts due to its popularity. Notably, the song was performed at Live Aid in 1985, prior to its official release, showcasing Winwood’s powerful live presence. Additionally, the song has been covered by various artists over the years, further cementing its status as a classic.

Cultural Impact

The cultural impact of “Higher Love” extends beyond its chart success, as it has been featured in several films, television shows, and commercials, helping to maintain its presence in popular culture. The song’s themes of hope and love have made it a staple at weddings and other celebratory events, and it continues to be a favorite on classic hits radio stations.

Legacy

Today, “Higher Love” is regarded as one of Steve Winwood’s signature songs and a quintessential example of 1980s pop music. Its enduring popularity is a testament to its timeless message and the skillful artistry of its creators. The song’s influence can be seen in its numerous covers and samples by artists across various genres, reflecting its lasting appeal and relevance.

Conclusion

“Higher Love” remains a powerful anthem that resonates with listeners across generations. Its blend of catchy melodies, thoughtful lyrics, and soulful performances make it a standout track in Steve Winwood’s discography. I encourage you to explore this song and its various interpretations to fully appreciate its impact and significance.

Video

Lyrics

Think about it, there must be higher love

Down in the heart or hidden in the stars above

Without it, life is a wasted time

Look inside your heart, I’ll look inside mine

Things look so bad everywhere

In this whole world, what is fair?

We walk blind and we try to see

Falling behind in what could be

Bring me a higher love

Bring me a higher love

Bring me a higher love

Where’s that higher love I keep thinking of?

Worlds are turning and we’re just hanging on

Facing our fear and standing out there alone

A yearning, and it’s real to me

There must be someone who’s feeling for me

Things look so bad everywhere

In this whole world, what is fair?

We walk blind and we try to see

Falling behind in what could be

Bring me a higher love

Bring me a higher love

Bring me a higher love

Where’s that higher love I keep thinking of?

Bring me a higher love

Bring me a higher love

Bring be a higher love

I could rise above on a higher love

I will wait for it

I’m not too late for it

Until then, I’ll sing my song

To cheer the night along

Bring it… Oh bring it…

I could light the night up with my soul on fire

I could make the sun shine from pure desire

Let me feel that love come over me

Let me feel how strong it could be

Bring me a higher love

Bring me a higher love

Bring me a higher love

Where’s that higher love I keep thinking of?

Related Post

Rock Music

“He beat Jimi Hendrix in a reader poll,” they whisper, but David Gilmour quietly replies, “That doesn’t make me the greatest,” channeling every soaring bend and soul-stirring solo—like the haunting refrain in “Comfortably Numb”—into a lesson that real mastery lives in truth and emotion, not flash or fame, and that humility can echo louder than any accolade.

Rock Music

For decades, Keith Richards has been the raw nerve of The Rolling Stones—the swagger, the riffs, the chaos. With a cigarette in one hand and a Telecaster in the other, he embodied everything dangerous and electrifying about rock and roll. Fans saw him as the soul of the band, the riff-machine behind their greatest anthems. But behind the scenes, Richards always knew the truth. Despite the headlines, the fights, and the mythology surrounding his role, Keith never saw himself as the captain of the ship. In a rare moment of vulnerability, the guitar icon laid it bare—“This was never my band.” Because in the shadows of the stage lights and the glamour, there was always one man Richards believed truly steered the Stones’ destiny—and it wasn’t him.

Rock Music

In a decade where Bob Dylan felt more lost than legendary, it was Tom Petty who offered him a hand, a stage, and a lifeline. On the 1986 True Confessions tour, Dylan stepped back into the spotlight—not with thunder, but with quiet power. That night, under concert lights and surrounded by love, he picked up his harmonica and bled emotion into the opening notes of ‘Knockin’ On Heaven’s Door’. Tom stood beside him, not just as a peer, but as a believer. As they sang, two icons became one voice—raw, cracked, aching, real. The audience didn’t just listen—they felt it. Some cried. Some whispered. And everyone knew: Dylan had never really left.

You Missed

Rock Music

“He beat Jimi Hendrix in a reader poll,” they whisper, but David Gilmour quietly replies, “That doesn’t make me the greatest,” channeling every soaring bend and soul-stirring solo—like the haunting refrain in “Comfortably Numb”—into a lesson that real mastery lives in truth and emotion, not flash or fame, and that humility can echo louder than any accolade.

Rock Music

For decades, Keith Richards has been the raw nerve of The Rolling Stones—the swagger, the riffs, the chaos. With a cigarette in one hand and a Telecaster in the other, he embodied everything dangerous and electrifying about rock and roll. Fans saw him as the soul of the band, the riff-machine behind their greatest anthems. But behind the scenes, Richards always knew the truth. Despite the headlines, the fights, and the mythology surrounding his role, Keith never saw himself as the captain of the ship. In a rare moment of vulnerability, the guitar icon laid it bare—“This was never my band.” Because in the shadows of the stage lights and the glamour, there was always one man Richards believed truly steered the Stones’ destiny—and it wasn’t him.

Country Music

Toby Keith’s Final Resting Place – He’s finally home — not on stage, but in the soil of Oklahoma.

Rock Music

In a decade where Bob Dylan felt more lost than legendary, it was Tom Petty who offered him a hand, a stage, and a lifeline. On the 1986 True Confessions tour, Dylan stepped back into the spotlight—not with thunder, but with quiet power. That night, under concert lights and surrounded by love, he picked up his harmonica and bled emotion into the opening notes of ‘Knockin’ On Heaven’s Door’. Tom stood beside him, not just as a peer, but as a believer. As they sang, two icons became one voice—raw, cracked, aching, real. The audience didn’t just listen—they felt it. Some cried. Some whispered. And everyone knew: Dylan had never really left.